VISUAL AND CRITICAL STUDIES OPEN STUDIOS
Thursday, April 26th, 2012 133 W21st Street, NYC; 5-9PM
(I drew and screen-printed this poster; 17x11”)
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VISUAL AND CRITICAL STUDIES OPEN STUDIOS

Thursday, April 26th, 2012 
133 W21st Street, NYC; 5-9PM

(I drew and screen-printed this poster; 17x11”)

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Studio snapshot (I like these people), acrylic paint on 5 x 7 pieces of masonite, found bronze frame, glass, silkscreened candles, MDF shelf.
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Studio snapshot (I like these people), acrylic paint on 5 x 7 pieces of masonite, found bronze frame, glass, silkscreened candles, MDF shelf.

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Sweatshirt Monsters (#1-4), 2012, 4 two-sided screen prints on Plexiglas, 16 x 20 inches each, wood shelves.
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Sweatshirt Monsters (#1-4), 2012, 4 two-sided screen prints on Plexiglas, 16 x 20 inches each, wood shelves.

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Eternal NUTS!, 2010-2011, (scanned issues of NUTS! Olympia fanzine screen-printed on cotton canvas fabric, sewn at seams) Issues 1-3.
[ VIEW Covers ]
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Eternal NUTS!, 2010-2011, (scanned issues of NUTS! Olympia fanzine screen-printed on cotton canvas fabric, sewn at seams) Issues 1-3.

[ VIEW Covers ]

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114 N Pear Street, Olympia, Wash. 98506, 2010-2012, embroidery floss on needlepoint textile, framed in 8.5 x 8.5” wooden hoop
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114 N Pear Street, Olympia, Wash. 98506, 2010-2012, embroidery floss on needlepoint textile, framed in 8.5 x 8.5” wooden hoop

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Scene Report (Olympia), installation view (detail), 2012, mixed media
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Scene Report (Olympia), installation view (detail), 2012, mixed media

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Candles for Dead Bands (installation shot), October-December 2011, glass, laminating film, silkscreen, poplar wood
[ VIEW a larger installation ]
[ See all the designs drawn for this project ]
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Candles for Dead Bands (installation shot), October-December 2011, glass, laminating film, silkscreen, poplar wood

[ VIEW a larger installation ]

[ See all the designs drawn for this project ]

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“Texas” (Washington State-shaped clock), 2011-2012, plywood, acrylic, varnish, quartz movement; set to Pacific Coast Time.
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“Texas” (Washington State-shaped clock), 2011-2012, plywood, acrylic, varnish, quartz movement; set to Pacific Coast Time.

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Oly (Olympia Beer Can), 2011-2012, cast ceramic with hand-painted underglaze, gold luster; edition 1 of 1.

Untitled (45 Shelf), 2010-2011, hand-drawn, silkscreened illustrations on watercolor paper; vinyl 7” records with adhesive, silkscreened labels; square paper inserts with journal entry text; clear plastic sleeves; found record store price tags; handmade wooden box with acrylic designs; found shelf
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Untitled (45 Shelf), 2010-2011, hand-drawn, silkscreened illustrations on watercolor paper; vinyl 7” records with adhesive, silkscreened labels; square paper inserts with journal entry text; clear plastic sleeves; found record store price tags; handmade wooden box with acrylic designs; found shelf

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Open Studio teaser photo
Studio snapshot (Leave it to Beaver); hand-painted opaque silkscreen ink (glossy) on primed drywall; (inside: 1970s Olympia beer can on found shelf, artesian well water in found jars, contemporary Olympia beer cans, acrylic painting, silkscreen on PVC mounted on plywood, 4 silkscreened images on Plexiglas.
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Open Studio teaser photo

Studio snapshot (Leave it to Beaver); hand-painted opaque silkscreen ink (glossy) on primed drywall; (inside: 1970s Olympia beer can on found shelf, artesian well water in found jars, contemporary Olympia beer cans, acrylic painting, silkscreen on PVC mounted on plywood, 4 silkscreened images on Plexiglas.

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(CALVIN), 2010-2011, (Acrylic on plywood with silkscreened interference pigments), 18 x 12 in.
[ VIEW with alternate lighting ]
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(CALVIN), 2010-2011, (Acrylic on plywood with silkscreened interference pigments), 18 x 12 in.

[ VIEW with alternate lighting ]

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Untitled (Temple of the Tube), 2011, Acrylic on plywood, hinges, magnets  Work in progress. Center panel unfinished.
[ VIEW DETAIL #1]  (John Root, right panel)
[ VIEW DETAIL #2 ]  (Erika Santillan-Marquez, left panel)
[ VIEW studio snapshot ]
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Untitled (Temple of the Tube), 2011, Acrylic on plywood, hinges, magnets
Work in progress. Center panel unfinished.

VIEW DETAIL #1]  (John Root, right panel)

[ VIEW DETAIL #2 ]  (Erika Santillan-Marquez, left panel)

[ VIEW studio snapshot ]

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